InterAct Theater’s production of The Elaborate Entrance of Chad Deity opens tonight.
Today, I did an interview on WHYY, alongside Juan Pacheco (Mace) and Tony “Hitman” Stetson (wrestling consultant). It’s pretty awesome, I think.
InterAct Theater’s production of The Elaborate Entrance of Chad Deity opens tonight.
Today, I did an interview on WHYY, alongside Juan Pacheco (Mace) and Tony “Hitman” Stetson (wrestling consultant). It’s pretty awesome, I think.
I’m not sure we’re officially open for reviews, but you gotta love bloggers who are excited about what they see. Here are some highlights:
The Elaborate Entrance of Chad Deity by Kristoffer Diaz is the play we saw and I’m still catching my breath. I have never believed an actor more than I believed Desmin Borges as Mace. Except for how much I believed Usman Ally as Vigneshwar Paduar.
…
I left breathless and it took me an hour to catch my breath. A day later, thinking about the final scenes, my chest tightens again. This show is brilliant. This show will win award after award after award. You need more from me than that, don’t you?
…
(and this is my favorite) When he breaks through the fourth wall and we react to him – the way we’re supposed to – you see that the character is tickled he’s having that response. (It’s like when the kids have to clap to wake Tinkerbell up, but better).
We’ve got a long way to go, but it’s nice to see that some people are digging it already.
So in the last post, I came back to rehearsal to discover our ring, all constructed and ready to go. And after a few days of playing with it, we came back after a day off to discover…this:

And it's all got to be labeled to keep it straight. Graf and scorpions -- could we be any more masculine?

It's not in my contract that all my shows have to have some graffiti on the set, but it's getting pretty close.
I’ve always wanted to be in Time Out New York, but Time Out Chicago got there first:
Playwright Kristoffer Diaz is describing the plot of The Elaborate Entrance of Chad Deity, his new play about small-time professional wrestlers. “I think [pro wrestling is] a really wonderful art form. But it does tend to play to the lowest common denominator, which means it can be really racist and sexist and homophobic,” he says. “It plays to stereotypes in a really huge way.” That kind of pigeonholing is precisely what Ignition, the new Victory Gardens initiative that’s bringing Chad Deity to the stage, is meant to combat.
So in our last post, the stage floor had been painted, and a little cut out had been left for the ring. Then I went on a retreat with my fellow Jerome Fellows (along with the McKnights and all kinds of other awesome folks).
And I come home (home?) to Chicago, and this is what’s waiting for me:

And yes, I immediately climbed into it and bounced off the ropes. Words cannot express what it feels like to discover your own personal wrestling ring.
More more more soon soon soon.
Sorry for the delay. A whole lot of work has happened since last post…and here is some documentation.

I don't think I'm giving anything away to say that there's a trap. Someone, at some point, will come up from here.
Lots more following very, very soon. I mean it this time.
(The sets are designed by Brian Sidney Bembridge, FYI.)
Usman is one of the stars of the Victory Gardens production (alongside Desmin Borges, Kamal Angelo Bolden, James Krag, and Christian Litke). He’s blogging about the show. You should be reading what he’s writing.
I’m writing this from the Minneapolis/St. Paul airport, on my way back to Chicago. I just did a podcast interview…which you should be able to hear on Monday. More pics should follow later this weekend too.
And for those waiting for more of The Wire…be patient. Technical difficulties.
1. The Wire series is on hold for a second while I figure out how to get this damn DVD player to work.
2. I still can’t get into Mad Men, although I’m giving it time. I don’t dislike it, but it’s just cigarette porn to me.
3. Rehearsals for Chad Deity are awesome. It’s been mainly fight choreography. Wrestling choreography. We’ve almost worked up to the powerbomb. It’s a little crazy to watch. I’ve got videos and pictures galore, but I can’t share them until I’ve got union clearance. Working on it.
4. Tickets are onsale, by the way.
5. For Year Zero too.
6. There’s a lot of great stuff happening in Chicago in September theaterwise. It’s going to be a hell of a month. You should be here.